I
That is no country for old men. The young
In one anothers arms, birds in the trees,
Those dying generationsat their song,
The salmon-falls, the mackerel-crowded seas,
Fish, flesh, or fowl1, commend all summer long
Whatever is begotten2, born, and dies.
Caught in that sensual music all neglect
Monuments of unageing intellect.
II
An aged3 man is but a paltry4 thing,
A tattered5 coat upon a stick, unless
Soul clap its hands and sing, and louder sing
For every tatter in its mortal dress,
Nor is there singing school but studying
Monuments of its own magnificence;
And therefore I have sailed the seas and come
To the holy city of Byzantium.
III
O sages6 standing7 in Gods holy fire
As in the gold mosaic8 of a wall,
Come from the holy fire, perne in a gyre,
And be the singing-masters of my soul.
Consume my heart away; sick with desire
And fastened to a dying animal
It knows not what it is; and gather me
Into the artifice9 of eternity10.
IV
once out of nature I shall never take
My bodily form from any natural thing,
But such a form as Grecian goldsmiths make
Of hammered gold and gold enamelling
To keep a drowsy11 Emperor awake;
Or set upon a golden bough12 to sing
To lords and ladies of Byzantium
Of what is past, or passing, or to come.